Ryan Broderick wondering about the future of the film industry in Garbage Day:
Where do all the actors go? And where will the actors of the future come from? Acting is actually the art form that has struggled the most in the age of online video. (I have a red hot take that allowing audiences to film live theater the way they do concerts would blast the doors open on this, but I’ll spare you.) Unfortunately, history doesn’t really help us find an answer here. For the last few years, I’ve assumed the current entertainment landscape was an echo of the early 20th century. When vaudeville performers moved to short-form nickelodeons before eventually getting snapped up by Hollywood studios for silent films and eventually talkies. I figured that the stars of the future were currently grinding it out on TikTok and other derivative video platforms and would reinvigorate Hollywood when they finally “graduated” to more serious productions. What’s actually happening is far stranger. The unchecked tech-media monopolies of the second Trump era have realized you can make more money building perpetual and personalized slop machines than trying to create large-scale mass appeal entertainment. Instead of investing in films that stand the test of time, they’ve fully leaned into the death loop of streaming, where the past has no value beyond determining the algorithmic bucket you’re slotted into for the next pull of the feed. And they’re desperate for a future without writers or actors or anyone they have to pay..











